ARTICLES
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Vortex Evolution — Jiang Miao’s New Works and Their Origins
2026.10.16
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Captivated by Blue: Tracing the Color's History to the Art of Katsuyoshi Inokuma
2026.08.21
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現代藝術的指南針 特別篇：鏡中的初音未來
2026.07.22
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A Compass for Contemporary Art Chapter 5: Contemporary Art That Continues to Cross Borders
2026.05.29
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Welcome to the Gallery: A Guide for First-Time Visitors
2026.04.10
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A Compass for Contemporary Art Chapter 4: The Landscape Beyond Manga as a “Method”
2026.04.06
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第三回 超越五感、無限延展的藝術體驗：Fluxus 與擴張中的身體性
2026.01.30
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新春企劃：三位藝術家表現馬年
2026.01.23
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A Compass for Contemporary Art Chapter 2: Exploring Art from Multiple Perspectives
2025.12.30
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A Compass for Contemporary Art Chapter 1: What Is Contemporary Art, and How Does It Deepen Our Way of Looking at Art?
2025.12.15
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Whitestone's Guide to Wong Chuk Hang
2025.09.10
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Osamu Watanabe Hosts a Workshop for Elementary School Students
2025.02.26
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矢柳剛 × Snow Peak｜自然與藝術的靜謐致敬
2025.02.25
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新春特別企劃：三位藝術家詮釋蛇年
2025.01.20
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PRESSURE, PLEASURE, POWER: Ronald Ventura’s Automotive Alchemy at Whitestone Ginza
2025.01.08
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隈研吾談「地形」與「建築」之融合：展覽報導
2024.12.20
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從細節設計空間｜白石畫廊 × 隈研吾的挑戰
2024.10.25
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藝術與建築的共鳴｜菱田昌平與白石畫廊描繪的藝術生活
2024.08.09
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開拓陶藝新境界的金理有|未來的陶器和古代的遺產
2024.07.06
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Reflecting on "The Torrent in Seconds" at Whitestone Gallery
2024.05.24
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藝術描繪衰敗與重生的故事｜Aruta Soup：廢墟
2024.04.09
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Capturing Fleeting Beauty: Ryotaro Muramatsu's “Fluffy” Exhibition
2024.02.09
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Echoes of Silence: Tadaaki Kuwayama & Rakuko Naito's Minimalist Exploration
2024.02.09
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Philip Colbert Makes a Splash in Singapore with Lobsters
2024.02.07
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