The Art of Retreat: Forms of Living and Beauty

Exhibitions at the Belgian Private Home in Karuizawa, Nagano 

2025.07.15 - 07.25

The Art of Retreat is not just an exhibition, but an invitation to slow down and spend time with art in a space designed for living. Set within a private home in Karuizawa, this space brings together works by Katsuyoshi Inokuma, Masayuki Tsubota, MADARA MANJI, and Miyako Terakura—artists whose materials and philosophies quietly reflect on what it means to be human.

Rather than following a single narrative, each work holds space for the viewer’s own pace and perception. Some pieces speak through texture and form, others through silence and presence. There is no right way to experience them.

By stepping into this home filled with thoughtfully chosen pieces, visitors are encouraged to notice how art can shape the way we feel, think, or simply be. It is a retreat not only into beauty, but into a different way of seeing where the boundaries between art, life, and self begin to soften. It explores how art can coexist with the textures of daily life.

Rather than offer answers, this setting invites us to wonder: “What is art?” “Where does beauty reside?”

Through this experience in shared presence, The Art of Retreat: Forms of Living and Beauty unfolds as an intimate meditation on art, space, and the poetics of the everyday.

About the Architectural Space

The exhibition takes place at the Belgian Private Home in Karuizawa, a shared-ownership residence designed and handcrafted by Shohei Hishida, guided by his concept of Aging Beautifully. Each home is built with care, using locally sourced wood, stone, and earth from the Karuizawa region. Designed to grow richer in character over time, the architecture enters into an organic dialogue with contemporary art in this exhibition creating a space where materiality and artistic presence evolve in quiet harmony.

https://shohei-hishida.jp/

Exhibiting Artists

Katsuyoshi Inokuma

After studying at Yokohama School of Art, Inokuma returned to his hometown in Fukushima, where he continues to work. Though he began painting full-time in his forties, he quickly gained recognition with awards including the Aoki Shigeru Prize and the Fukushima Prefectural Art Exhibition Grand Prize. Using unconventional materials such as coffee powder, he develops delicate textures and blurred surfaces by scraping layers of color. His works balance a distinctly Japanese sensibility with a contemporary clarity. Especially notable are his ultramarine paintings, often referred to as “Inokuma Blue,” which have been widely acclaimed both in Japan and abroad. His 2016 solo exhibition at Whitestone Gallery Hong Kong left a lasting impression with the depth and quiet force of this signature hue.

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Masayuki Tsubota

Tsubota’s works blur the line between material and perception which blends tactile textures, color vibration, and an almost fragrant visual movement. His thoughtful use of natural materials like wood, stone, and pigments erases boundaries between elements, creating pieces that stir the viewer’s senses and memory. This interplay is at the heart of his artistic philosophy: resonance as a timeless form of communication.

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MADARA MANJI

Using the traditional Japanese technique of mokume-gane (wood grain metal), MADARA MANJI creates sculptural works where opposing forces converge and dissolve into new forms. These pieces mirror the fragile duality of contemporary life whilst balancing spiritual elevation and societal critique, delicacy and resilience.

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Miyako Terakura

Born in 1994 in Gifu, Miyako Terakura studied ceramic arts at Tokyo University of the Arts and continued her research in Poland. Her porcelain sculptures of infants and young children embody innocence and ancestral memory. Through the transformation of fragile clay into solid form by high-temperature firing, she creates works that serve as quiet vessels for reflection, remembrance, and prayer. In a disoriented world, her art becomes a place to return to.

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Reservations

As this exhibition takes place in a private residence, attendance is by appointment only.

Please reserve your visit through the form below or contact us directly by email.

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