MADARA MANJI
Madara Manji, originally from Tokyo, relocated to Kyoto to study under a toreutic master, driven by his aspiration to become an artist. He actively expands his skills in various metal-processing techniques, consistently pushing the boundaries of his craft. Manji’s mastery of Mokume-gane, a traditional Japanese metalworking technique, positions him as a pioneer in utilising this ancient craft for artistic creation. Mokume-gane, dating back to the early Edo period, involves layering different metals to form patterns on Samurai swords. Although the technique had nearly vanished over time due to its complex and time-consuming nature, recent collections and studies have revived its prominence on the world stage. Manji, in particular, stands out as one of the first to embrace this traditional craft as a means of artistic expression.
In his series titled Uncovered Cube, Manji presents seemingly identical cubes that subtly differ, each representing distinct facets of human nature. Through his art, Manji explores humanity and the essence of materials, transcending the conventional three-dimensional realm. By employing the consistent forging process of Mokume-gane, he examines the limitations of integrating multimedia elements and the coexistence of diverse human experiences. His art provides a platform for exploring various aspects of humanity from a unique perspective. He collects his observations and insights, which often challenge conventional notions, and compiles them into a personal notebook. This collection reflects contradictions and recurring thoughts about the essence of humanity.
