Dimensions IV - art is

Ginza New Gallery

2025.11.28 - 12.27

Whitestone Ginza New Gallery is pleased to present “Dimensions IV – art is”, a group exhibition showcasing a new generation of cutting-edge artists.

“Dimensions”* serves as a platform for young artists who may forge the future of art. For its fourth edition, the exhibition features Shizuka Ando, Kosuke Harasawa, and Chisato Yamashita (in alphabetical order). While each artist creates an exquisite worldview, they share a strong technical foundation built by  Nihonga (Japanese painting). Although Nihonga is still often discussed in contrast to Western painting, it has increasingly found its place within the field of contemporary art, for the purpose of pursuing "newness" through various experiments and approaches. However, in the visions represented by these three artists, one finds none of the sharp-edged intensity, impenetrable conceptual defense, or towering egos typically associated with the term ‘contemporary'. Rather, what is striking is their quiet gaze upon a world where Western rationalism has reached its limits and saturation: a world of excessive information, environmental shifts, ecological disruptions,overly blurred boundaries with others and, conversely, heightened isolation—a world where the “unexpected” has become the default.

So, in such a time, what is art? What does it mean to paint?

“A quiet space of affirmation—of being together without being understood” — Ando

“Like a window into the modern consciousness, shrouded in mist, allowing us to glimpse its innate beauty” — Harasawa

“Something that implies an imagination that respects and empathizes with the spirituality each individual possesses” — Yamashita

The subtitle of this exhibition, “art is,” deliberately leaves the predicate of the definition open, without providing an answer. The meaning of art differs for each person. Behind the detailed depictions lies a multitude of realities. It is our hope that the imagery woven by these three artists resonates with the thoughts of each viewer, creating a quiet chain of connections, and providing an opportunity to reflect on “what art means to me.”


We look forward to welcoming you to this opportunity.

"The Spirit of the Moon - In the Hall of Lantern” 2025, 91.0 × 72.7 cm

Two Lights

Two Lights

2025
Ink, Suihi, Mineral pigment, Tengujo paper on kochi hemp paper
61.0 × 50.0 cm

Weaving

Weaving

2025
Ink, Suihi, Mineral pigment, Tengujo paper, Foil on kochi hemp paper
61.0 × 45.5 cm

Radiance II

Radiance II

2025
Acrylic, Mineral pigment, Tengujo paper on kochi hemp paper
116.7 × 80.3 cm

Radiance I

Radiance I

2025
Acrylic, Mineral pigment, Tengujo paper on kochi hemp paper
116.7 × 80.3 cm

Because Dreams Are Meant to Be Seen Alone Ⅱ

Because Dreams Are Meant to Be Seen Alone Ⅱ

2025
Acrylic, Mineral pigment, Tengujo paper, Foil on canvas
72.7 × 60.6 cm

Because Dreams Are Meant to Be Seen Alone Ⅰ

Because Dreams Are Meant to Be Seen Alone Ⅰ

2025
Acrylic, Mineral pigment, Tengujo paper on canvas
72.7 × 61.0 cm

Because It’s My Job to Show Dreams

Because It’s My Job to Show Dreams

2025
Ink, Suihi, Mineral pigment, Tengujo paper, Foil on kochi hemp paper
61.0 × 50.0 cm

Clown II

Clown II

2025
Ink, Suihi, Mineral pigment, Tengujo paper on kochi hemp paper
61.0 × 50.0 cm

Moon Fairy - At the Togenkan

Moon Fairy - At the Togenkan

2025
Ink, Suihi, Mineral pigment, Tengujo paper on silk art cloth
72.7 × 91.0 cm

In the Thicket

In the Thicket

2025
Ink, Suihi, Mineral pigment, Tengujo paper, Foil on kochi hemp paper
60.7 × 73.0 cm

Hair Ornament

Hair Ornament

2025
Ink, Suihi, Mineral pigment, Tengujo paper, Foil on kochi hemp paper
45.5 × 60.6 cm

Applying Rouge

Applying Rouge

2025
Ink, Suihi, Mineral pigment, Tengujo paper on kochi hemp paper
50.0 × 61.0 cm

Moon Fairy

Moon Fairy

2025
Tengujo paper, Mineral pigments, Suihi paint on silk art cloth
116.7 × 91.0 cm

Little Clown

Little Clown

2025
Tengujo paper, Mineral pigments, Suihi paint on kumohada mashi
50.0 × 60.0 cm

Dressed in a Role

Dressed in a Role

2025
Tengujo paper, Mineral pigments, Suihi paint on kumohada mashi
72.7 × 60.6 cm

Two Lights

2025
Ink, Suihi, Mineral pigment, Tengujo paper on kochi hemp paper
61.0 × 50.0 cm

Weaving

2025
Ink, Suihi, Mineral pigment, Tengujo paper, Foil on kochi hemp paper
61.0 × 45.5 cm

Radiance II

2025
Acrylic, Mineral pigment, Tengujo paper on kochi hemp paper
116.7 × 80.3 cm

Radiance I

2025
Acrylic, Mineral pigment, Tengujo paper on kochi hemp paper
116.7 × 80.3 cm

Because Dreams Are Meant to Be Seen Alone Ⅱ

2025
Acrylic, Mineral pigment, Tengujo paper, Foil on canvas
72.7 × 60.6 cm

Because Dreams Are Meant to Be Seen Alone Ⅰ

2025
Acrylic, Mineral pigment, Tengujo paper on canvas
72.7 × 61.0 cm

Because It’s My Job to Show Dreams

2025
Ink, Suihi, Mineral pigment, Tengujo paper, Foil on kochi hemp paper
61.0 × 50.0 cm

Clown II

2025
Ink, Suihi, Mineral pigment, Tengujo paper on kochi hemp paper
61.0 × 50.0 cm

Moon Fairy - At the Togenkan

2025
Ink, Suihi, Mineral pigment, Tengujo paper on silk art cloth
72.7 × 91.0 cm

In the Thicket

2025
Ink, Suihi, Mineral pigment, Tengujo paper, Foil on kochi hemp paper
60.7 × 73.0 cm

Hair Ornament

2025
Ink, Suihi, Mineral pigment, Tengujo paper, Foil on kochi hemp paper
45.5 × 60.6 cm

Applying Rouge

2025
Ink, Suihi, Mineral pigment, Tengujo paper on kochi hemp paper
50.0 × 61.0 cm

Moon Fairy

2025
Tengujo paper, Mineral pigments, Suihi paint on silk art cloth
116.7 × 91.0 cm

Little Clown

2025
Tengujo paper, Mineral pigments, Suihi paint on kumohada mashi
50.0 × 60.0 cm

Dressed in a Role

2025
Tengujo paper, Mineral pigments, Suihi paint on kumohada mashi
72.7 × 60.6 cm

Two Lights
Weaving
Radiance II
Radiance I
Because Dreams Are Meant to Be Seen Alone Ⅱ
Because Dreams Are Meant to Be Seen Alone Ⅰ
Because It’s My Job to Show Dreams
Clown II
Moon Fairy - At the Togenkan
In the Thicket
Hair Ornament
Applying Rouge
Moon Fairy
Little Clown
Dressed in a Role

Illuminating the Nameless:

An Interview with Shizuka Ando

ABOUT

SHIZUKA ANDO

Born in Chiba in 1991. Graduated from Tama Art University with a degree in Japanese painting in 2018. Known for unique portraits with multiple, objective perspectives that incorporate the gaze of both self and others at certain “moments” in life, her works embody a multifaceted, objective perspective. The figures she depicts carry introspective expressions, while deliberately retaining an ambiguity that avoids evoking any specific individual. In her early practice, Ando was influenced by Surrealism, which sought to express dreams and the unconscious. Over time, however, she became strongly drawn to the “primitive yet delicate” duality inherent in natural materials used in Nihonga, such as mineral pigments and hemp paper. She gradually integrated these qualities into her own worldview, developing a style that could be described as 'shinshin gōitsu' — a 'unification of body and mind'. Her paintings precisely reveal a melancholic sense of the times and have been consistently well received in every exhibition. Selected Exhibitions


2025
Dimensions IV-art is-, group exhibition (Whitestone Ginza New Gallery, Tokyo)

Solo exhibition (+DA.YO.NE.gallery / Hankyu Men's Tokyo, Tokyo)


2024

Solo exhibition (+DA.YO.NE.gallery / Hankyu Men's Tokyo)
Solo exhibition (H-art Beat Gallery / Jimbocho, Tokyo)

2023
Two-person exhibition (Sho+1 / Ueno, Tokyo)

2022
PARCO art picnic vol.1 (Shinsaibashi PARCO, Osaka)

"Line of the Water City" 2024

Whale over the City

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
53.0 × 45.5 cm

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White of Contemplation

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
116.7 × 91.0 cm

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City and Seagulls

2025
Mineral pigments, Ink, Gold leaf on Japanese paper mounted on wooden board
41.0 × 31.8 cm

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Fleeting

2025
Mineral pigments, Ink, Gold pigment, Silver leaf on Japanese paper mounted on wooden board
91.0 × 73.0 cm

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inside pocket

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
31.8 × 41.0 cm

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Lines of the Water City

2024
Mineral pigments, Ink, Silver leaf, Gold pigment on Japanese paper mounted on wooden board
170.0 × 214.7 cm

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Moonlight

2025
Mineral pigments, Ink, Gold pigment, Silver leaf on Japanese paper mounted on wooden board
33.3 × 24.2 cm

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Rain Boots

2025
Mineral pigments, Ink, Gold leaf on Japanese paper mounted on wooden board
33.3 × 24.2 cm

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Raindrops

2025
Mineral pigments, Ink, Gold and silver leaf on Japanese paper mounted on wooden board
41.0 × 27.3 cm

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Sakura Falling

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
51.5 × 72.8 cm

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Strutting

2025
Mineral pigments, Ink, Gold pigment, Silver leaf on Japanese paper mounted on wooden board
33.3 × 45.5 cm

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Traffic Lights

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
162.0 × 162.0 cm

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Whale over the City

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
53.0 × 45.5 cm

Sold

More Info

White of Contemplation

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
116.7 × 91.0 cm

More Info

City and Seagulls

2025
Mineral pigments, Ink, Gold leaf on Japanese paper mounted on wooden board
41.0 × 31.8 cm

Sold

More Info

Fleeting

2025
Mineral pigments, Ink, Gold pigment, Silver leaf on Japanese paper mounted on wooden board
91.0 × 73.0 cm

More Info

inside pocket

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
31.8 × 41.0 cm

More Info

Lines of the Water City

2024
Mineral pigments, Ink, Silver leaf, Gold pigment on Japanese paper mounted on wooden board
170.0 × 214.7 cm

More Info

Moonlight

2025
Mineral pigments, Ink, Gold pigment, Silver leaf on Japanese paper mounted on wooden board
33.3 × 24.2 cm

Sold

More Info

Rain Boots

2025
Mineral pigments, Ink, Gold leaf on Japanese paper mounted on wooden board
33.3 × 24.2 cm

Sold

More Info

Raindrops

2025
Mineral pigments, Ink, Gold and silver leaf on Japanese paper mounted on wooden board
41.0 × 27.3 cm

Sold

More Info

Sakura Falling

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
51.5 × 72.8 cm

Sold

More Info

Strutting

2025
Mineral pigments, Ink, Gold pigment, Silver leaf on Japanese paper mounted on wooden board
33.3 × 45.5 cm

More Info

Traffic Lights

2025
Mineral pigments, Ink, Silver leaf on Japanese paper mounted on wooden board
162.0 × 162.0 cm

More Info

Whale over the City
White of Contemplation
City and Seagulls
Fleeting
inside pocket
Lines of the Water City
Moonlight
Rain Boots
Raindrops
Sakura Falling
Strutting
Traffic Lights

When Solitude Merges with the City:

An Interview with Kosuke Harasawa

ABOUT

KOSUKE HARASAWA

Born in Tokyo in 1997. Enrolled in the Department of Painting, Faculty of Fine Arts, Tokyo University of the Arts, majoring in Japanese painting, in 2018. While still a student, he distinguished himself by receiving the Shinseido Prize at the KENZAN Exhibition (2019), the Ataka Prize (2020), and the Excellence Award at the Bi-no-sha Student Selection Exhibition (2021), to name a few. By his third year, he had already held his first solo exhibition. In 2022, he entered the Graduate School of Fine Arts at Tokyo University of the Arts, majoring in Japanese painting (recipient of the Kamiyama Foundation Art Support Program Scholarship). He went on to win multiple awards in succession, including the Tokyo Geidai Art Renaissance Award 2022, the Taito City Mayor’s Prize, the Salon de Printemps Prize, and the runner-up prize at Monthly Art Magazine Gekkan Bijutsu 'Debut 2023’. In 2024, he received the Minister of Justice Prize at the prestigious Yuga-no-kai exhibition, founded with the support of the late Ikuo Hirayama, and his graduation project was acquired by Teikyo University. His delicate style, where introspection and a piercing gaze upon reality intersect—conveying silence, noise, and even humidity—leaves an enduring resonance. Currently, he is enrolled in the second year of the Doctoral Program in Fine Arts at Tokyo University of the Arts.Selected Exhibitions

 2025
Dimensions IV-art is-, group exhibition (Whitestone Ginza New Gallery, Tokyo)
Modern Japanese Paintings, Group Exhibition (Sogo & Seibu Ikebukuro Main Store)

2024
Kosuke Harasawa Exhibition, Solo Exhibition Gallery Wada, Tokyo)

2023
Sky, Solo Exhibition (Yoh Gallery, Tokyo)

2022
Scenery of Memory, Solo Exhibition (Gallery Binosha, Tokyo)

2021
Kosuke Harasawa Exhibition (Solo Exhibition, Shinseido, Tokyo)
Hope Exhibition, Group Exhibition (Art Space Rashinban, Tokyo)

"addiction" 2024

eternity

2025
Acrylic on canvas
91.0 × 65.2 cm

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far away

2025
Acrylic on canvas
91.0 × 65.2 cm

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spirits I

2025
Acrylic on canvas
62.0 × 53.0 cm

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spirits II

2025
Acrylic on canvas
61.7 × 53.0 cm

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spirits III

2025
Acrylic on canvas
61.7 × 53.0 cm

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spirits IV

2025
Acrylic on canvas
61.7 × 53.0 cm

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addiction

2024
Acrylic on canvas
162.1 × 162.1 cm

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acquarium

2025
Mineral pigments on Japanese paper mounted on wooden panel
26.6 × 33.3 cm

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acquarium

2025
Mineral pigments on Japanese paper mounted on wooden panel
26.6 × 33.3 cm

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aquarium

2025
Mineral pigments on Japanese paper mounted on wooden panel
27.0 × 33.3 cm

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eternity

2025
Acrylic on canvas
91.0 × 65.2 cm

More Info

far away

2025
Acrylic on canvas
91.0 × 65.2 cm

More Info

spirits I

2025
Acrylic on canvas
62.0 × 53.0 cm

More Info

spirits II

2025
Acrylic on canvas
61.7 × 53.0 cm

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spirits III

2025
Acrylic on canvas
61.7 × 53.0 cm

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spirits IV

2025
Acrylic on canvas
61.7 × 53.0 cm

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addiction

2024
Acrylic on canvas
162.1 × 162.1 cm

More Info

acquarium

2025
Mineral pigments on Japanese paper mounted on wooden panel
26.6 × 33.3 cm

Sold

More Info

acquarium

2025
Mineral pigments on Japanese paper mounted on wooden panel
26.6 × 33.3 cm

More Info

aquarium

2025
Mineral pigments on Japanese paper mounted on wooden panel
27.0 × 33.3 cm

More Info

eternity
far away
spirits I
spirits II
spirits III
spirits IV
addiction
acquarium <drum set & fish tank>
acquarium <father>
aquarium <turtle & dartboard>

Spiritual Forms on Landscapes:

An Interview with Chisato Yamashita

ABOUT

CHISATO YAMASHITA

Born in Tokyo. Completed the Master’s Program in Japanese Painting, Art Major, Graduate School of Comprehensive Human Sciences, University of Tsukuba. While still an undergraduate student, Yamashita was captivated by jellyfish at an aquarium, an encounter that has continued to serve as a source of inspiration through her fascination with marine life. Entrusting her works with a “longing for that which cannot be easily touched or approached,” she has gained recognition for her portraits that stand apart from conventional bijin-ga (portraits of beautiful women). In recent years, her practice has expanded toward a style that reflects her personal experiences and conveys a deeper sense of spirituality. Her large-scale work in this new frontier  was selected for the Sompo Japan FACE Exhibition 2025, where it also received the Audience Award, drawing considerable attention. As mirrors that accompany the inner lives of people living in an information-driven society and pose subtle questions to, Yamashita’s paintings show a distinctive flexibility. To date, she has received numerous accolades, including at the newly reorganized 4th Nitten Exhibition, the 8th Seison Maeda Memorial Grand Prize Exhibition, Art Olympia 2019 Student Division, and the 20th Taisei Sato Prize Art Exhibition, among others.Selected Exhibitions

2025 
Dimensions IV-art is-, group exhibition (Whitestone Ginza New Gallery, Tokyo)
Grand Exhibition of Bijin-ga: Blossoming Beauty, group show (Tobu Department Store, Ikebukuro)
tide, solo exhibition (Gallery Mitake, Tokyo)


2024
toxin, solo exhibition, (Ittoan Gallery, Tokyo)
Emerging Bijin-ga Artists Exhibition, Traveling Group Show (Ginza Mitsukoshi Main Building)

2023
room, solo exhibition, (Ittoan Gallery)


2022
The Power of Art, group exhibition (Isetan Shinjuku Main Building)
She Said – Women Depicted by Female Artists, group exhibition (Sixpence Gallery, Taiwan)

2021
neighbor, solo exhibition (Ginza Gallery Bijutsu no Kigen, Tokyo)
KENZAN 2021, group exhibition (Tokyo Metropolitan Theatre)


2020
paraiso, solo exhibition (Ginza Gallery Bijutsu no Kigen)


2019
twilight, solo exhibition (Art Complex Center of Tokyo)

Dimensions IV-art is-
2025.11.28 - 12.27

『dimensionsIV-art is』展では、昨年に引き続き大阪・中ノ島『CAFÉ AMADEUS STORY』とのコラボレーションが決定!会期中、東京・大阪の二拠点で作品を展覧するほか、特製アーティスト・カードが封入されたCAFÉ AMADEUS STORYクリスマスティー・セット(50パック限定)も販売。大阪では「AMADEUSACADEMY」の一環として、アーティスト・安藤しづか氏を招いてのトーク・イヴェントも開催いたします。


* Past “Dimensions” Featured Artists:
2024: Aire Akiyama, Nozomi Kobayashi, Motoki Tanaka, Mutsumi Hagiwara,Yu Hashimoto, Mishio Fukuhama
2023: Hidehiko Iijima, Ayami Ueda, Hitomi Endo, Meichin Romana Tanimura, Yuzuki Nakanishi, LICACO
2021: Ariha Imamiya, Yoshiki Kikuno, Shiori Gushiken, Aika Sakamoto, Karen Shiozawa, Romana Machin Tanimura, Miyako Terakura

銀座新館

日本104-0061東京都中央區銀座6丁目4番地16號
Tel: +81 (0)3 3574 6161
Fax: +81 (0)3 3574 9430
Opening Hours: 11:00 - 19:00
Closed: 週日,週一
More Info

Opening reception

2025.11.29(Sat) 4pm - 7pm
*Artist will be present.

Seminar
2025.12.02(Tue) 2pm - 4pm
Venue: CAFÉ AMADEUS STORY

WHITESTONE × CAFÉ AMADEUS STORY

ヴォルフガング・アマデウス・モーツァルトに由来する、店名「AMADEUS」。時代と国境を越えて広く人々に愛されるモーツァルトの音楽のように、心地よく、美しく、健康的に日々に寄り添うハイクオリティな食文化をお届けすることをモットーとしています。バイエルン王室御用達・ダルマイヤーの珈琲や紅茶はもとより、CAFÉ AMADEUS STORYが提供する商品は、どれもヨーロッパや国内の厳選された生産者からセレクトされ、丁寧に、そして環境に配慮した製法で生産されたものばかり。先刻閉幕した大阪万博2025では、チェコ・パビリオンの公式パートナー・レストランとしても高い評価を得ました。

まるでヨーロッパにいるかのようなネオ・コロニアル・スタイルのカフェでのアート体験-あなただけのストーリーを紡ぐ機会となることを願っています。

また、東京ではホワイトストーン銀座新館でのオープニング・レセプション(11/28)で、60年以上の伝統をもつダルマイヤーのシグナチャー・ビーンズ「プロドモ」をご試飲いただけます。

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