元永定正

元永定正

元永定正

元永定正

元永定正是第一代具體派的代表藝術家之一。生涯的後期，元永定正也創作兒童繪本，而他詼諧的作品風格在各個年齡層都廣為人知且大受歡迎。元永定正在1955年到1971年間屬於具體美術協會的一員，他自己開發了許多獨特的創意，如：「水之雕」是將塑膠容器中裝入有色的液態顏料，或將日本傳統繪畫中的滴流式技法（Tarashikomi）應用於創作中，或利用噴槍技法噴繪壓克力顏料等。元永定正在早期就擁有了許多海外經歷，包括與瑪莎傑克遜畫廊（美國紐約）和國際美學研究中心（義大利杜林）的合作。元永的作品在威尼斯雙年展，首爾國際版畫雙年展，杜林Premio Risone國際展會等都備受好評。

關於具體 »

Yellow and twiddle, SADAMASA MOTONAGA, 1999Acrylic on canvas15.8 × 22.7cm

Yellow and twiddle

Nets under nets and nets, SADAMASA MOTONAGA, 1990Acrylic on canvas45.5 × 38.0cm

Nets under nets and nets

無標題#P（k）的09-71, SADAMASA MOTONAGA, 1971Frame, Paper, Ink, Motonaga Research Institute Certificate Of Authenticity10.7cm × 15.0cm

無標題#P（k）的09-71

See all artworks

50 Years Since the End | The Gutai Art Association as seen at the National Museum of Art, Osaka

50 Years Since the End | The Gutai Art Association as seen at the National Museum of Art, Osaka

50 Years Since the End | The Gutai Art Association as seen at the National Museum of Art, Osaka

January 4, 2023
ART NEWS

50 Years Since the End | The Gutai Art Association Revives at the Nakanoshima Museum of Art, Osaka

50 Years Since the End | The Gutai Art Association Revives at the Nakanoshima Museum of Art, Osaka

50 Years Since the End | The Gutai Art Association Revives at the Nakanoshima Museum of Art, Osaka

December 27, 2022
ART NEWS

“Into the Unknown World — GUTAI: Differentiation and Integration” at the Nakanoshima Museum of Art and the National Museum of Art

“Into the Unknown World — GUTAI: Differentiation and Integration” at the Nakanoshima Museum of Art and the National Museum of Art

“Into the Unknown World — GUTAI: Differentiation and Integration” at the Nakanoshima Museum of Art and the National Museum of Art

October 19, 2022
Osaka, Japan

Beginning and Ending with Water | Etsuko Nakatsuji on Sadamasa Motonaga's Way of Life

Beginning and Ending with Water | Etsuko Nakatsuji on Sadamasa Motonaga's Way of Life

Beginning and Ending with Water | Etsuko Nakatsuji on Sadamasa Motonaga's Way of Life

GUTAI STILL ALIVE 2015 vol.1
30/35

The Real Sadamasa Motonaga | A Self Deprecating Artist Who’s Genius and Curiosity Can be Attested Through His Works

The Real Sadamasa Motonaga | A Self Deprecating Artist Who’s Genius and Curiosity Can be Attested Through His Works

The Real Sadamasa Motonaga | A Self Deprecating Artist Who’s Genius and Curiosity Can be Attested Through His Works

GUTAI STILL ALIVE 2015 vol.1
29/35

Art Historian Kunio Motoe’s Take On the “Gutai Art Association”

Art Historian Kunio Motoe’s Take On the “Gutai Art Association”

Art Historian Kunio Motoe’s Take On the “Gutai Art Association”

GUTAI STILL ALIVE 2015 vol.1
01/35

The National Museum of Art (Osaka), The National Museum of Modern Art (Kyoto), Tokyo Metropolitan Art Museum, Hyogo Prefectural Museum of Art (Hyogo, Japan), The Museum of Modern Art New York, Museu de Arte Moderna do Rio de Janeiro (Brazil), Dallas Museum of Art (Dallas, Texas), etc.

"White blur light green" 31.0 × 40.9 cm, 1992

"Work" 27.0 × 24.0 cm, 1960

"Untitled" 27.0 × 24.0 cm, 1965

"Connected #F(200)-87" 182.0 × 227.0 cm, 1987

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