河口洋一郎: 知性・深海・宇宙
銀座新館
2018.11.10 - 12.02
2018.11.10 - 12.02
開幕酒會: 11.10, 4:00 – 7:00 PM
藝術家本人將會出席。
白石畫廊欣然宣佈舉辦河口洋一郎的首次個展,他發起了“科學是藝術”的概念,成為世界權威。
河口洋一郎於1995年與隈研吾、崔在銀、千住博、日比野克彥一同被邀請參加威尼斯雙年展。河口展出的作品比未來派藝術的形象領先多年,備受好評。之後的20年他在東京大學研究生院任教。2018年,他不僅被法國的Prix Bains Numériques授予榮譽獎,並入選CG領域最高級別的學府Siggraph學院。通過使用計算機,他致力於研究生命進化的過程,從五億年前的生命形態中創造“成長”(自發性的)模型,並成功建立了五億年後生命形態的三維模型。
提到達芬奇,他同時是科學家,也是傑出的藝術家。河口洋一郎為藝術史上未開發的領域做貢獻,在這個領域中科學與藝術面對面,互相激勵。
我們十分榮幸觀眾們能前來參觀畫廊,一同享受由河口洋一郎創造的十億年的時空旅行。
Ginza New Gallery
6-4-16 Ginza, Chuo-ku Tokyo, 104-0061, Japan
Tel: +81 (0)3 3574 6161
Opening Hours: 11:00 - 19:00
Closed: Monday
ARTIST
Yoichiro Kawaguchi was born in 1952 in Tanegashima, Kagoshima. While studying at the Department of Visual Design Kyushu Institute of Design (now Kyushu University), he began experimenting with CTR graphic displays and completed his first CG work, "Pollen" in 1975. The year after, he began a full-scale study of growth models and created his first work, "Shell" in which the "self-propagating growth models" has remained a constant theme. Through the CG images, we can experience the "growth" of the work itself as it multiplies its cells from a formative algorithm of a complex life form.
Kawaguchi's work evokes the sensation of "entering the body of an alien life form", and in 1982 he presented his formative paper "GROWTH Model" at SIGGRAPH '82 (USA), the world's foremost international conference on computer graphics. In 1986, he was invited to the 42nd Venice Biennale, and in 1995 he represented Japan at the 46th Venice Biennale. Since 2000, he has been a professor at the University of Tokyo's Graduate School of Environment and Information Studies, and in 2013, he was awarded the Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize.