白石畫廊忠孝空間非常榮幸舉辦矢柳剛個展《普浮主義》,以藝術家自創的名詞「普浮」為展覽名稱,展現矢柳1960年代至近期的繪畫與立體作品。

「普浮」,意謂普普藝術與日本浮世繪的相互結合,是矢柳為他自己分明的黑線條配上亮麗色彩的獨特創作風格所命名。他認為浮世繪是日本傳統的普普藝術,他嘗試透過當代文化以及個人體驗以全新的美學方式來反映這傳統文化。而他曾經旅居巴西、法國等地的足跡亦可在這些作品的元素當中可見端倪。

矢柳剛作品廣被世界各地公共機構所收藏,包含現代藝術博物館(紐約)、巴黎現代藝術博物館、東京國立近代美術館等。

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ARTIST

矢柳剛
After dropping out of University, Go Yayanagi moves to São Paulo (Brazil) and engages in various creative activities there. Yayanagi travels a lot around the world, then, transfers to Paris where he becomes to study under the copperplate printing's master, S.W. Hayter. Yayanagi's works are presented at many exhibitions, among which the 11th São Paulo Biennial (1957) is included. The Artist considers art as something that should exist in every living space casually rather than something that is prominent displayed ostentatiously. Yayanagi creates works in a wide range of formats, from oil painting, printing, mosaic mural and stained glass, to textile and fashion design. The artist successfully visualizes the social conditions of the time, combining bold composition of color planes, vivid colors produced by removing unnecessary shadows, eroticism presented in a cheerful tone, and his humor, like putting puzzle piece together. The abundant exoticism the artist experienced in his youth embraces him, and that seems to make his art borderless beyond any logic, a long way ahead of the trend of the world.
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