白石畫廊輕井澤很榮幸地宣佈,我們即將舉辦藝術家崔雅喜個展「內視」。崔雅喜自小即熱衷於滑板運動,其抽象繪畫似乎反映了某種街頭塗鴉。然而,藝術家進一步將他深層的靈感歸於接觸大自然的視覺經驗與啟發,融入自由無拘的滑板精神,使畫面線條流暢而活潑。除此之外,崔雅喜亦是備受讚譽的鞋類設計師,其藝術與美感天份充分表現於跨領域之結合。此次白石畫廊輕井澤首度舉辦崔雅喜個展,展出20件精彩作品。我們誠摯邀請您一同進入藝術家生動而遼闊的國度。

Karuizawa Gallery3

 

1F / KARUIZAWA NEW ART MUSEUM, 1151-5 Karuizawa, Karuizawa-machi, Kitasaku-gun, Nagano, 389-0102, Japan

Tel: +81 (0)267 46 8691


Opening Hours: 10:00 – 17:00 (October – June) , 10:00 – 18:00 (July – September)
Closed: Tuesday (*7 days a week in August)

More Info

ARTIST

崔雅喜
Ahhi Choi was born in Hyogo Prefecture Japan in 1983. The curvilinear movement in the work of Ahhi Choi is both buoyant and ecstatic, expressing the innate sense of adventure the artist possesses. He gained recognition after showing in New York in 2014 and has since exhibited internationally including in the United States, France, Italy, Korea, Singapore and Hong Kong. Choi's work can be perceived as reflection of his subconscious mind. After studying in Los Angeles he traveled through the Western United States. During that trip, Choi explored the expansive network of National Parks, from Death Valley, the Grand Canyon to Yellowstone. It was during this stateside excursion that the artist developed an intimate bond with the grandeur and majesty of nature. Upon his return to his home city of Kobe, a malaise set in for Choi and it was the cramped and overcrowded lifestyle of urban Japan that was causing him to feel nostalgic. Taking the flashes of inspiration that the artist experienced in day-to-day life he began to take ink to paper forming an abstract diary of his adventures. Letting his hand move organically across the page, Choi would interpret the silhouettes, pictures, words and letters from the well of his memory into energetic lines that are ubiquitous in throughout his work. In addition to painting, the artist has also extensively engaged in other artistic creations, including the design of shoes, skateboards, fabrics, wine labels, cell phone cases, CD covers, and even musical instruments (didgeridoo). In 2020, dedicated his work "Naka-ima" (meaning "present time as a succession of the age of God, in Japanese mythology) to Ashiya Shrine and created votive pictures in collaboration with the shrine (sold out 200 editions immediately). He started also the creation of hanging scrolls in collaboration with a long-established Kyoto-style mounting brand "Kanouunkindou".
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