Whitestone Gallery Singapore is pleased to present “Happy Together: Visions of Gladness from Southeast Asia”, an exhibition that explores how happiness is expressed, shared, and celebrated across cultures. From immersive installation to bold visual expression, it captures the rich emotional landscape of Southeast Asia — where laughter, tradition, and togetherness converge. It reveals happiness not as a fleeting emotion, but as something intentionally nurtured, shaped by the strength found in unity, even in adversity.

We present the contemporary Thai artist Krit Ngamsom and his thought-provoking interactive kinetic sculptures in the exhibition, which carry a satirical tone to comment on social and cultural paradigms. In this conversation, we explore how the artist develops his unique artistic expression of transforming everyday found objects and materials into meaningful artistic installations, infusing with a sense of playfulness and accessibility. Through his innovative use of materials and engaging narratives, Ngamsom’s artworks prompt the audience to reflect on the theme of religion, multiculturalism, identity, consumerism, and modernity.

Krit Ngamsom “A Gift of Fun” 2025, 36.0 x 36.0 x 48.0 cm, Acrylic

-  Your works incorporate pop culture and nostalgic objects through an ironic lens. How do you balance the conceptual depth of your work with its visual accessibility?

Ngamsom: My works often bring together unlikely elements—drawing from contrasting memories, experiences, and everyday objects. In Thailand, there are many second-hand markets where I can find items that were once popular but have since been discarded as junk. I collect these forgotten objects and incorporate them into my practice—reviving the personal and collective memories attached to them in the process.

Krit Ngamsom “Orange Robot” 2025, 36.0 x 36.0 x 45.0 cm, Acrylic, LCD panel and electronic circuitry

- Your kinetic sculpture series "Gift" has attracted considerable attention from the audience. What challenges have you encountered during its creation? Could you share some of the difficulties you typically face when working on kinetic sculptures?

Ngamsom: This series was inspired by temple fairs in Thailand, which are often decorated with colorful lights that feel full of life. This kind of vibrant illumination is distinctive to Southeast Asia and feels like a gift to children in rural areas. I use contrasts—between places, time periods, and belief systems—along with childhood memories and everyday objects, to reflect the transition into adulthood. These layers of inspiration often form the heart of my kinetic sculptures.

Krit Ngamsom “ROBOTA” 2016/2025, 185.0 x 40.0 x 15.0 cm, Painted steel, acrylic, motors and electronic circuitry

- Are there any particular techniques or themes you are interested in future works?

Ngamsom: Lately, I’ve been drawn to architectural models and old weapons from Southeast Asia—objects that bring together history, craftsmanship, and cultural memory. These miniatures often carry traces of significant events, inviting us to uncover forgotten narratives. As the world shifts towards new forms of society, economy, and conflict, I believe looking back offers a meaningful way to understand where we’re headed.

 - How do you see your artistic practice evolving? Are you considering expanding into public art, exploring digital mediums, or engaging in interdisciplinary collaborations?

Ngamsom: I’ve created several site-specific works, including installations in temples and community spaces. I’ve also developed pieces powered by solar energy and wind. Currently, I’m working on a community-based art project with a small woodworking community in Bangkok. These explorations reflect my continued interest in public engagement and interdisciplinary approaches.

Happy Together: Visions of Gladness from Southeast Asia