“In 2017, my soul lost its shines, just like the love that all beings have always had is gone. I’m all alone, but I don’t want to be lonely…I walked towards the universe, towards formlessness, and saw how time operated, as well as the new time and space and the light that are set to come. My soul is led by instinct, I see more clear with my heart, understand my nature, and fulfill my wishes. Without the Degenerate Age, there’s no future.”
- Ren Sihong

Whitestone Gallery is pleased to present a solo exhibition of Ren Sihong, one of the most prominent Chinese artists that were born in the 1960s and have flourished since the late 1980s, significantly shaping China’s contemporary art history. The exhibition will showcase Ren Sihong’s works from the recent 3 years – ‘Black and White’ started in 2017, ‘Value of Colors’ started in 2018, and ‘Spirit of Flowers’ started in 2020 during the pandemic period. Stepping away from his previous style, Ren has adopted an expressionist and abstract way of painting for recent works, and hopes to enlighten the viewers through the intriguing energy.

Born in 1967 in Hebei, Ren Sihong found his talents in painting when he was young, and therefore enrolled in Oil Painting Department in Hebei Normal University and later on continued his study in Central Academy of Fine Arts in Beijing. After graduation he became one of the residential artists at the Old Summer Palace (Yuan Ming Yuan), the earliest artist village in China’s modern history (1989 – 1995), representing the most avant-garde and experimental spirits at that time. As Yuan Ming Yuan was removed, the artists had to find new places to establish their studios, various art villages and districts such as Song Zhuang and 798 have been developed across the city of Beijing, and in 2006, Ren Sihong moved into No.1 International Art District. Like many artists that were born in the 60s, Ren experienced social movements that held collectivism and socialism at heart, therefore he tended to express his experiences and memories with a humorous, grotesque and sarcastic approach. His oil paintings were selected for the 3rd Annual Exhibition of Chinese Oil Painting in 1995, and his work of sculptures were shown at ‘Voice of the Unseen’ exhibition at Venice Biennale in 2013.

Painting for Ren Sihong is evolving all the time. Every time he starts a new series, he has the urge to let go of what he used before and fight against old habits, in order to create something different. The year of 2017 was a major transition for the artist, as his father passed away that year. Due to the great loss, Ren wasn’t interested in shapes or colors, he dived into black and white as well as a “formless” way to paint. For him it is as if walking through time, and resonating with the ups and downs. He is fascinated by the ‘void’ in black and white, believing that valuing simplicity can achieve more. Gradually he has healed himself through painting, and has become stronger than ever.

Since 2018 Ren has reviewed the value of colors, and he started by giving meanings to the three primary colors, red, blue and yellow. For Ren, the color of red represents the Sun and energy, it is also the symbol of freedom and giving. Blue for him represents the Moon and wisdom, and yellow represents the Earth and morality. He turns the colors into elements of the universe, and makes sense of the universe through painting in these colors. He sees the world is experiencing a severe decline of morality in this era, therefore he encourages the viewers to open their hearts for emotions, love and energy, which are the most valuable things in the world that can’t be measured by quantity, so to make the world a better place.

Since the beginning of 2020 with the outbreak of COVID-19, there has been a lot less people around and the world seemingly comes to a stop. However for Ren Sihong, he senses that deep down there is some sort of undercurrent going on – it is something unprecedented, unfamiliar, and even fearful. He is excited to experience these, and has more time to have conversations with himself. He opens up his heart as if a blossom, letting something warm and pretty come to life. Therefore he started to paint flowers, using opulent colors and vivid brushstrokes to depict the spirits and hopes.

Ren Sihong strives to understand the rules of the world and humanity through painting, and during the process he learns kindness. He hopes his work could bring the same energy to its viewers and leave them enlightened, even though it’s not always the case – some people are frightened to see his work, intimidated by its forms and shapes. “When people are looking at an artwork, the artwork is looking at them in the meantime - how they see it also reveals their personalities, making them be honest with themselves.”

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Born in 1967, Ren Sihong is a Chinese Contemporary artist. Ren graduated from Oil Painting Department at Hebei Normal University in 1991. Thereafter, Ren attended the Teaching Assistance Program in Oil Painting Department at the Central Academy of Fine Arts. In 1993, he had his first solo exhibition in Central Academy of Fine Arts and became a full-time artist. Ren was also an artist in residence at the artists village in Yuan Ming Yuan Garden in Beijing. His most sensational sculptural work Extravagant Era has put him into the limelight. His other work For a Girl's Birthday in the Summer of 1994, was later selected for the 3rd Annual Exhibition of Chinese Oil Painting. Inspired by Grandmasters ranging from Picasso to Matisse and Miró, Ren's works challenge traditional understandings towards painting and often leave viewers perplexities. The human body and sexual desire are recurring themes in Ren's early artworks.The artist deconstructs human's cravings and exaggerates them by creating a metaphorical and symbolic painting vocabulary. After many years of explores and experiments, from 2017 he started a new series of works and adopted Abstract Expressionism, a more daring and fearless way to paint. He also incorporates Buddhist ideas in his works. His art is magnificent and yet the energy is profoundly intense, the viewers can be immersed in the seemingly moving brushstrokes and let their thoughts flow.
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