ARTICLES
LATEST ARTICLES
From Whimsy to Tranquility: A Dual Showcase in Seoul with Chaumeton and Tsubota
2024.04.17
EXHIBITION
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Coloring Osaka's Future: 'Aquatic Dragon of Konohana' by Miwa Komatsu and Junichi Okada Discusses Public Art
2024.04.16
ARTIST NEWS -
艺术描绘衰败与重生的故事｜Aruta Soup：废墟
2024.04.09
EXHIBITION -
Miwa Komatsu's Live Painting at Koyasan in Japan
2024.04.02
ARTIST NEWS -
Interweaving Clarity and Ambiguity in Reality | Kisho Kakutani Interview
2024.03.26
INTERVIEW -
An Autonomous and Catalytic "Black" that Highlights the Reality We Face | Yudai Takeuchi Interview
2024.03.26
INTERVIEW -
在喧嚣世界中寻找乌托邦｜Aruta Soup 采访
2024.03.21
INTERVIEW -
小松美羽：圣•悟 Sense of Sacredness｜白石画廊台北
2024.03.05
展览
FEATURES
GUTAI STILL ALIVE
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Japanese Kinetic Art Pioneer Yutaka Matsuda and his Paris Adventure
GUTAI STILL ALIVE 2015 vol.1
34/35 -
How "Kirin" Editor Yozo Ukita Became a Member of Gutai
GUTAI STILL ALIVE 2015 vol.1
33/35 -
Children's Art Connoisseur Yozo Ukita and His Art Studio "Studio Ukita"
GUTAI STILL ALIVE 2015 vol.1
32/35 -
“具体”与儿童美术 浮田要三指出有人味儿、像个孩子的才好
GUTAI STILL ALIVE 2015 vol.1
31/35 -
始于水终于水的元永定正 艺术家中辻悦子讲述的元永定正的生活方式
GUTAI STILL ALIVE 2015 vol.1
30/35 -
The Real Sadamasa Motonaga | A Self Deprecating Artist Who’s Genius and Curiosity Can be Attested Through His Works
GUTAI STILL ALIVE 2015 vol.1
29/35 -
表达者金山明的重要地点——位于大阪的妙法寺 相关人员专访（续篇）
GUTAI STILL ALIVE 2015 vol.1
28/35
INTERVIEWS
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Interweaving Clarity and Ambiguity in Reality | Kisho Kakutani Interview
2024.03.26
INTERVIEW -
An Autonomous and Catalytic "Black" that Highlights the Reality We Face | Yudai Takeuchi Interview
2024.03.26
INTERVIEW -
在喧嚣世界中寻找乌托邦｜Aruta Soup 采访
2024.03.21
INTERVIEW -
Disassembly, Dissolution, and Reconstruction | Fragmented Figures and Identity
2024.03.05
FEATURE -
Into the Blue: Exploring Lee Chae's Artistic Universe
2024.02.29
INTERVIEW -
Yu Kawashima × Meiji Hijikata | Exploring the Depths of Young Women's Melancholy in Line Paintings
2024.02.22
INTERVIEW -
Yu Kawashima × Meiji Hijikata | A World of Ink Beyond the Bounds of Nihonga
2024.2.1
INTERVIEW
